Tonight at the refurbished Bowery Electric, Brooklyn-based, progressive/fusion rock trio, The Gypsy West, will be debuting a new member and new material. The new tunes are to be released in the form of their third EP, the final installment of their series of Accomplices . Not just a great musical listening experience, the albums tell a story that ” focuses on personal liberation through public rebellion ” (thegypsywest.com), and one can check out Accomplices I and II to get a feel for the developing plot and well-crafted music to boot. The Gypsy West will be accompanied to fellow NY’r’s tonight, including Walnuts and Infantree! Doors at 7pm, music at 8pm; $10, 21+!
Archive for August 4, 2012
WWRSD?: The Gypsy West at Bowery Electric TONIGHT
Posted: August 4, 2012 in EntriesTags: infantree, the bowery electric, the gypsy west, walnuts
Straight from the Rockers’ Mouths: Interview with The Bright Light Social Hour
Posted: August 4, 2012 in EntriesTags: black taxi, bowery ballroom, echosuite, the bright light social hour
It’s no secret I’m a big fan of rock ‘n roll, the blues, and danceable variations on the theme, and it’s becoming less of a secret that I love bands from Texas. Enter, The Bright Light Social Hour, who are all of the previous and a whole lot of extra goodness. Hailing from Austin, Jack O’Brien(bass/vocals), Curtis Roush (vocals/guitar), A.J. Vincent (vocals/keyboard), and Joseph Mirasole (drums)’s notoriety has been escalating rapidly, as their debut, self-titled release has gathered rockers and hipsters onto the dancefloor with soulful vocals, psychedelic aura, contagious beats, sultry grooves, southern sass, unmistakable personalities, and mind-blowing live performances. Still in the midst of their nationwide tour, Jack found a moment to answer some questions (Thanks!). Speaking of Jack, check out his mustache and make sure to contribute to the band’s efforts as they enter back into the studio to record their next album. New York fans, you’re in luck; these Austinites will be hitting the Bowery Ballroom stage next Wednesday, August 8 with Brooklyn buddies, BLACK TAXI and Echosuite, for a full night of grooving and moving. It’s bound to sell out, so make sure to grab a ticket while you can. Doors at 7:30pm. For other tour dates, see the band’s website for a show in your city!
RS: You probably get this question constantly, but how did your band’s name come about?
TBLSH: Curt and I started the band in college. He was studying Indian activist/writer Arundhati Roy, who was known for saying the activist’s job is to shine bright lights in dark corners of society. We liked that idea, and wanted to convey a forward-looking sense of community and gathering that we felt an important part of the atmosphere surrounding the band and music.
RS: How would you describe your music to someone and convince them that it is worth listening to? What’s the most important thing fans can glean from your music?
TBLSH: Psychedelic/southern/rock/soul/hard dance/deep funk. If you’d like to experience passionate artists attempting a genuine expression of beauty, appeal and communion, check us out.
RS: What cities are your favorite tour spots? Where did you have the best but most unexpected turn out?
TBLSH: We’ve been to so many great places. Some of our favorites include Miami, Toronto, Portland, Mexico City, Tampa, New York of course. We’d never been to Aspen and were expecting a very small turnout but it turned to be one of our best club shows.
RS: All your fans have heard the horrible and unfortunate news about your stolen equipment in Suskatoon and are pretty pissed off on your behalf. How has this affected your tour, and how have you managed with the incident? If you came face to face with your burglars, what would happen?
TBLSH: It was certainly the greatest heartbreak we’ve ever faced as a band. Those guitars were our babies; just about everything we’ve written thus far was written with them. But it was hard to stay bummed for too long; as soon as we posted about the theft and asked for donations the support came flooding in to a degree we’d never have thought possible. It was truly amazing. A friend of a friend in Ottawa has lent me a sweet ’76 P Bass until I sort something out, and Curt picked up an excellent Nash Tele guitar and Victoria “Bassman” amp from craigslist so we didn’t have to cancel any shows and we’re back up to having a full, quality touring rig. If we ran into the burglars I think we’d pump the brakes on any aggression and beg, plead and offer anything for a lead on how to recover the instruments.
RS: It’s been great watching you grow as a band and get the attention you deserve since I first saw you play at SXSW a few years back. Seeing you open for The Cult was incredible! What have been the most rewarding and memorable moments over the last year?
TBLSH: Thanks! Playing with the Cult at SXSW is definitely up there. We recently played Festival d’été de Québec in Québec City opening for Aerosmith in front of an amazing 80 to 100,000 person crowd. It was a little terrifying, but absolutely a blast.
RS: What is your most hilarious and/or embarrassing tour story?
TBLSH: During our song “Bare Hands Bare Feet” there’s a part where A.J. throws me the tambourine across the stage. For the 1st time in probably over 200 shows we’ve done that song I just forgot it was coming and it totally nailed me in front of thousands.
RS: 2012 has already been a roller coaster of a year for you guys. How do you plan to finish out the year?
TBLSH: After Thanksgiving we’ll finally have a good bit of time off from touring for the 1st time this year. But there’ll be little time to relax, we’ll be busy finishing writing for the next record, hopefully to get into the studio a few months later. We’ll be closing out the year opening the 1st of Umphrey’s Mcgee’s New Year’s shows on December 28th in Atlanta.
